How to Paint Eyes (Wall Chart) by Sharon Kinzie

By Sharon Kinzie

How one can Paint Eyes (Wall Chart) [Jul 01, 1989] Kinzie, Sharon ... 0916809358

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3, parts 1–2, The History of Cartography, ed. David Woodward, 1095–1449. Chicago: University of Chicago Press, 2007. 27 (Spain) Notes 7. David Harvey, The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (Cambridge: Blackwell, 1990); Henri Lefebvre, The Production of Space, trans. Donald Nicholson-­Smith (Cambridge: Blackwell, 1991); and Ángel Rama, The Lettered City, trans. and ed. John Charles Chasteen (Durham: Duke University Press, 1996). Cartography ling them. 7 Spain found itself sometimes at the center of these developments, sometimes at the margins.

China in the Sixteenth Century: The Journals of Matteo Ricci, 1583–1610 (New York: Random House, 1953). The Theatrum orbis terrarum has to be considered part of the intellectual panorama of the Catholic monarchy, even if, paradoxically, it would soon be used as an anti-­Spanish tool. Serge Gruzinski, Quelle heure est-­il là-­bas? Amérique et Islam à l’orée des temps modernes (Paris: Seuil, 2008), 89. 12. edu /bell/riccimap). Matteo Ricci, Lettere dalla Cina, 1584–1608 (Ancona: Transeuropa, 1999); Pasquale M.

Steeped in the lessons of Ptolemy’s Geographia, a a Valladolid y a Gante. 3 ability to transport its audience far and wide on the wings In their attempt to establish a single cartographic idiom, of imagination. What might be less clear is that the figure to control access and enforce the use of nautical charts, and used to trope the theater—cartography—was no less novel to compile them as an up-­to-­date map of the world, mapand no less powerful. Two hundred years before the time makers in Seville attempted to adapt the portolan chart of of Cervantes, maps were hard to come by in Europe.

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